Weary Willy Day

December 9, 2013

Happy Weary Willy Day! AKA Happy Creepiest Clown in the World Day!

So sad...and a little creepy.

So sad…and a little creepy.

Below is a verbose explanation of Weary Willy from the Ringling Brother’s Website. What I will say it that this character might be where I picked up my dislike of clowns. I don’t like anything in make up or costumes where I can’t see their faces (mascots freak me out). I really don’t like clowns. I also think it’s in part from growing up in the 80’s, people in the 80’s loved them some porcelain faced clowns…freaking creepy. There’s something about the painted on expressions that weirds me out in an unnatural way. Ew. Read on if you want or don’t…either way, I hope you don’t get nightmares from this post!

Proof of the horror that is clown art and clowns in general.

Proof of the horror that is clown art and clowns in general.

The enduring image of Emmett Kelly forlornly sweeping his spotlight into a dustpan will long be remembered by Ringling audiences everywhere. A master of pantomime, Kelly’s classic tramp clown character “Weary Willie” could elicit huge laughs from enormous audiences with the very slightest raise of an eyebrow.

Emmett Kelly was born in Sedan, Kansas on December 9, 1898. His Irish-immigrant father worked the railroad and his mother ran her family-owned boarding house. Kelly grew up on a small farm in southern Missouri where he soon discovered that he had talent as a cartoonist. In 1920, Kelly sketched a character that would change his life. Kelly drew the adorable, tramp clown character he would later become. It was around this time that Kelly was bitten by the Circus bug and he worked night and day to develop a trapeze act.

Emmett Kelly was offered his first circus job by a booking agent for Howe’s Great London Circus. The man offered Kelly the trapeze spot with the understanding that Kelly would double as a clown in the show. Kelly eagerly agreed. His trapeze work left much to be desired with the Howe’s show. However, over time, Kelly developed his trapeze routine and became much more skilled. In 1923, Kelly was working his trapeze act with John Robinson’s Circus when he met and fell in love with a woman named Eva Moore who worked a double trapeze act with her sister. Emmett and Eva eloped later that year. The newlyweds worked hard together and before long were featured in their own double trapeze act.

The next year, when Eva became pregnant, Kelly tried to increase his salary by developing a new clown character in the show based on his beloved tramp clown drawings, but the boss clown thought Kelly’s tramp was “too scruffy and dirty” for the show. Mopingly, Kelly returned to performing his single trapeze act and doubling as a white-faced clown. Shortly after that time, The Great Depression hit and the appearance of tramps and hobos became more acceptable to American audiences, so in 1933, Kelly finally made the transition and “Weary Willie” was born.

A little creepy without make-up on as well.

A little creepy without make-up on as well.

Kelly joined Ringling Bros. and Barnum & Bailey® after the United States joined World War II in 1941. Unlike any other clown before or after him, Kelly was given free reign in the Circus. He did not wear shiny, spangled costumes like the other cast members, he did not march in the huge Spectacle numbers, he simply wandered in and out of the arena, through the seating area, improvising wherever he wished. Other performers in the show saw Kelly’s genius and asked him to “wander” into their acts. In one case, during an especially dramatic low-wire presentation, Willie wandered in as the performer prepared and hung his laundry on the rope only to be chased off. In another act, Willie came to the aid of a bareback performer who had missed a flip on horseback. Willie took out his ever-present broom and swept the back of the horse to make sure the equestrian had safe footing on his next attempt. And just as quickly as he “wandered” into a scene, Willie wandered out or was chased out — leaving laughs and smiles in the wake of his solemn gait.

Willie provided comic relief in the Circus through the end of the 1956 season when he left his Circus career to pursue a job as the mascot for the Brooklyn Dodgers. For the next 20 years, Kelly was a regular on television variety shows, commercials, and at nightclubs. But Kelly always loved and cherished his time in the Circus. He wrote, “You can troupe all over the world, and you can listen to applause in faraway places and you can read flattering publicity from hell to breakfast, but when you open with Ringling Bros. and Barnum & Bailey in Madison Square Garden, New York City, you have ‘arrived.'”

On March 28, 1979, opening day of The 109th Edition of The Greatest Show On Earth® at Madison Square Garden, 80-year-old Emmett Kelly suffered a heart attack on the lawn of his home in Sarasota, Florida and died.

Emmett Kelly will always be remembered as one of the greatest and most recognizable Circus performers of all time. His genius and ingenuity came in the simplicity of his comedy and the honest heartfelt sentiments he conveyed without ever uttering a single word.


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